More Practice: Tree Bark and Rocks in Watercolor
I did decide to practice a bit more. I’ve decided that if I just jump in like last time, I may make critical mistakes again, leading me to need to restart, wasting both time and materials.
I did decide to practice a bit more. I’ve decided that if I just jump in like last time, I may make critical mistakes again, leading me to need to restart, wasting both time and materials.
After failing to create a satisfying painting in “Riverbend”, I’m going to practice my tree painting technique.
Mistakes happen. Sometimes, you can’t avoid them in trial and error.
An Overview and an Example While I’m not completely a novice in watercolor, I do need to build my skills. My best watercolor painting of note is a painting I did last December that I’ve titled “Peonies in a Vase.” Now understand, I like the result, but at this point, I don’t believe I was… Continue reading Where I’m at in Watercolor
We bring this drawing to a close, finishing up the hair and modeling.
I continue the portrait, refining the rendering as I go.
Tone in crosshatching can be built in a number of ways: pressure, layering, spacing, and combining them with switching between different lead grades.
I begin rendering in continuous shading, covering the face first.
I really like the look of crosshatching. I think it can be very beautiful when done well, and that’s why I’ve pursued attempting to master it.
Here, we begin the fifth of my portrait demonstrations in graphite. I choose a model full view, soft lighting.