Riverbend – Take II (1)
I’ve begun “Riverbend” anew. I’m tackling things with gouache paint this time.
I’ve begun “Riverbend” anew. I’m tackling things with gouache paint this time.
We bring this drawing to a close, finishing up the hair and modeling.
I continue the portrait, refining the rendering as I go.
Tone in crosshatching can be built in a number of ways: pressure, layering, spacing, and combining them with switching between different lead grades.
I begin rendering in continuous shading, covering the face first.
I really like the look of crosshatching. I think it can be very beautiful when done well, and that’s why I’ve pursued attempting to master it.
Here, we begin the fifth of my portrait demonstrations in graphite. I choose a model full view, soft lighting.
We bring the portrait to a close. The hair, the clothes, and final adjustments.
We see refinement to the face’s shading in this session. Finally, things are taking shape, even if we still have a long way to go.
Rendering begins with the blocking stage.